REDACTORA CREATIVA

Friday, March 27, 2015

Since the late twentieth century to today, flowing fashion has accelerated significantly, and in this fluxus designers find a field of work and experimentation, which can reach uncharted land for traditional fashion. Since 1970, the work of Japanese fashion designers have had a considerable impact on international clothing, bypassing the numerous inclusions "japonismos" who came to fashion in the second half of the nineteenth century and are perpetuated to this day. These Japanese worked in a wave of renewal that was initiated by Issey Miyake. They gave a new definition of what was then creativity, status and sexuality.

Miyake consider the most revered designer in Japan today. He knew how to apply the newborn in the plastic to the textile arts, and launched a deconstruction of the parameters with which they worked in the West postmodernism.

For Miyake the matter, quite simply, is what matters.

In the matter rest "authentic" forms of tissue, away from classical forms reproduced by sewing, seeking to enhance the typified human body. In opposition to this kind of fashion, Miyake seeks powers of tissues that are docked to the human figure.

Miyake wants to return to this first experiment where the fashion design moves away from the sculptural constructions that mimic the body.

THE INFLUENCE OF CINEMA IN FASHION

The film and fashion have always gone hand in hand and influenced each other from the beginning.

You could say that cinema was the gateway of fashion since World War II. Around 1914 Hollywood had its great boom and the film industry grew enormously. People needed distraction and started going more and more often to the movies, so Hollywood decided to create the so-called Star System, the "Star System".

The Stars were a mixture of actor and character admired and praised by the public and the female stars were converted in the canon to be followed by all women in the world. You could say that in the absence of walkways and models, actors and especially actresses, became a specie of Top models from the First World War until the 50s or even later.

The ladies had many feminine styles to follow completely different styles such was the thinness of the character of Audrey Hepburn who triumphed still very thin, too curvy Sophia Loren. Or the sensuality of Marilyn Monroe, in contrast to the disorder of Katherine Hepburn or Grace Kelly elegance. Those were the models for women, and the most important and relevant designers of this époque had the ability to dress those “cinema stars” by that time. Being the screen of the cinema such a runway can be today.